Art Essay Example | Topics and Well Written Essays - 1000 words - 15

Art - Essay Example This statue was curved for the purposes of Pharaoh Khafre’s remembrance. Initially, the statue was kept in the Pharaoh’s valley temple near the Great Sphinx. The statue was presented as part of necropolis funeral city used in most important funeral rituals. This research paper explains the Khafre Enthroned funerary statue, from Gizeh, Egypt. The Khafre old kingdom artistic statue was designed putting into considerations a lot of symbolism in it. Firstly, the statue had an important function in Egyptian tombs. This statue overly acts as a sub-statue abode for the Pharaoh’s Ka. Ka in Egyptian cultural beliefs is the life that accompanies the righteous persons with a kind of other self. After death, the Ka leaves the individual body and soul into the afterlife (Gardner et al. 111). The statue embodiment therefore remains contemporarily to show a peace to rest; to the dead souls. The Khafre enthroned sculpture was designed in spiral form. This statue shows his majesty Khafre seated. This was one of the famous statue designs with a basic formulaic types used in the old kingdoms to show the human figure. Art speaks and through Khafre Enthroned statue, his figure in the seat is greatly shown. This artistic work if was to go by; would easily explain the kind of a ruler king Khafre was. This Egyptian statue design was inf luenced by mummification in Egypt (Gardners Art through the Ages: The Western Perspective 121). Mummification played a major role in the Egyptian culture in the ancient civilization era. This process involved a 70-day purification of pharaoh’s body to ensure immortality for Pharaoh. Beginning in the third millennium BCE, mummification became impossible in Egypt. This process was hectic and cumbersome hence there was need for finding a better way to remember the Pharaoh’s of Egypt. If the Pharaoh’s mummy was damaged, ART Essay Example | Topics and Well Written Essays - 500 words - 5 ART - Essay Example he High Renaissance meant paint that was created by mixing pigment with egg yolk to create a thick colored liquid that could then be applied with brushes to any surface. The egg yolk was the binding agent and artists would often also mix in other liquids such as honey, water or milk to vary the consistency or increase opacity. One of the main properties of this type of paint is that it dries quickly, which is beneficial when one wishes to paint over specific areas but can be problematic when one is trying to blend shades together on the canvas. This type of paint can’t be applied in heavy layers, though, and is generally not as bright or saturated as other forms of paint. What perhaps wasn’t known by the artists of the Renaissance, though, is that tempura maintains its original colors over time rather than darkening as many oil paints tend to do. Frescoes are somewhat different from tempera paints or oils in that they utilize the material of the receiving surface as the binding agent for the pigments rather than an internal ingredient. In fresco painting, painters would mix pigment with water and then apply these colors to the still wet plaster wall where the painting was to be. The water would absorb into the wall and evaporate, leaving the pigment trapped within the plaster itself. Preparation of the wall had to take place at least a week in advance to allow the underlayer of plaster to dry first. Then only enough top layer of plaster was applied that the artist could reasonably paint in a given day, meaning about eight or nine hours of work, before the plaster hardened to the point where no more paint would be absorbed. This painting in segments makes it possible to still trace what the artist did from one day to the next. Another problem with frescoes was that there could be no mistakes or the entire segment would have t o be removed and started from the beginning. Oil painting eventually emerged as the most preferred form of paint because of its